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The process of testing out potential mates, and of being tested by them in turn, can be gruelling, bewildering, humiliating.

Using another metaphor, Weigel compares the experience to being cast in a bad piece of experimental theatre: “You and a partner showed up every night with different, conflicting scripts.

The monogamy of the booming postwar fifties offered “a kind of romantic full employment,” while the free love of the sixties signified not the death of dating but its deregulation on the free market.

The luxury- and self-obsessed yuppies of the “greed is good” eighties demanded that the romantic market deliver partners tailored to their niche specifications, developing early versions of the kinds of matchmaking services that have been perfected in today’s digital gig economy, where the personal is professional, and everyone self-brands accordingly.

The pursuit of leisure cost more than most single working-class women (paid a fraction of what men were) could readily afford.

It trained women “in how to be if we wanted to be wanted.”Hence “Labor of Love,” an exploration of that training, in which Weigel reaches two main conclusions.Daters were “Charity Girls”—“Charity Cunts,” in a dictionary of sexual terms published in 1916—so called because they gave themselves away for free. If women went out, they were seen as akin to whores, who at least got cash for their trouble—a distinction that was lost on the police, who regularly arrested female daters for prostitution.On the other hand, if women stayed in they couldn’t bump into eligible bachelors.So they went out, to parks and dance halls, saloons and restaurants, nickelodeons and penny arcades—to the streets themselves, teeming centers of working-class social life—where they could have a good time and meet men on their own. The term “date” originated as slang referring to a woman’s date book, and showed up in print in 1896, in “Stories of the Streets and Town,” a column that offered middle-class readers a taste of working-class life.Artie, a young clerk, confronts a girlfriend who’s been giving him the slip: “I s’pose the other boy’s fillin’ all my dates? A later column reports Artie’s admiring observation that a certain girl’s date book was so full she had to keep it “on the Double Entry System.”Not surprisingly, these new female freedoms came with a catch.

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  1. Moosh (the creator of the game) then comes out and starts talking about how he should have drawn a special "reward" for finishing the first game, but explains that he didn't do so since he couldn't really draw this back then.